Horror for Horror’s sake: Not

Having just watched the original Frankenstein and The Bride of Frankenstein I realized great horror is timeless. More importantly the tales of the undead shed light upon the human condition, our humanity or lack of it. Ironically enough, the Frankenstein monster turns out to be more human than its creator or any of us for that matter.

Great horror does more than just frighten and entertain the reader. It should also enlighten. I have written four extremely dark and gruesome novels, all with truckloads of gore and imagery that is hard to shake. But is that the story? No, far from it. All of my writing has a firm foundation in friendship, honor and the golden rule. Do unto others as you would have them do for you. Without it the story falls apart. My protagonists are not pillars of society, but rather part of the evil that writhes through the pages. They eat, burp, shit, doubt themselves and basically have all the frailties of everyman. The antagonist, my monster, is more the darker side of humanity than some slime dripping creature with insane teeth. Greed, ignorance, envy, power and hatred are far more haunting than what lurks beneath your bed.

The horror hits home when the reader sees himself reflected in evil. We all have a little of it in us and once you get a glimpse, a certain morbid curiosity compels you to keep reading. Like a zit in the morning mirror, you have to look close, taking in the disgusting details before the final squeeze. Splat! Yes, we are that freaky as people.

My characters are human thrust in to a super human situation. It is who we are, not what, that makes the leap of believability of my novels that much easier. Of course it doesn’t hurt that first few pages set a cruel hook and you won’t be released until the final pages are finished. The pace is wicked and action non-stop and gore, over the top. But it is not horror for horror’s sake. The violence and blood-drenched scenes serve a purpose. But remove them and you’ve torn the heart out of the work. It is the nature of the beast.

The readers of horror novels are probably the best judge of what works and what doesn’t. Thus far the ‘anoxic zone’ series and my new breakaway novel, ‘Out of Stone,’ have received the nod of approval from readers and reviewers around the world. I will admit to being criticized a few times for excessive violence and the use of disturbing imagery. I stand guilty on all accounts. Only the readers can sentence me for what I have done. At this point I can live with the verdict. They would like some more.

Tired of pablum horror? Sink your teeth in to something that might bite back!
Check out the links below.

www.promotehorror.com/2013/04/out-of-stone.html

 http://www.blackwaterbooks.com

Aloha john g

OUT OF STONE: Reviews and feedback

 

With my latest novel Out of Stone in print for the last few months, fans and professional reviewers are having their say about it. Though not one to pat myself on the back, I have to say I’m pretty stoked about what is being said.

Nick Buchan, from Australia, wrote an excellent review – check it out at: 

www.nickbuchan.com/horror/out-of-stone-john-g-rees

Out of Stone was the first independently published book Nick took the time to critique. I’m happy to say he wasn’t disappointed.

 

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  Yes, Out of Stone is perhaps my darkest work yet. My father-in-law, Jack, had a rough time with it. Okay – he’s 80 plus years old and not exactly my demographic, but disturbing prose and imagery knows no age limit.

  Having built a strong group of readers with my first three novels, it was with some trepidation in getting the fourth out there. My writing pushes the envelope and you never know if you’ve gone too far.

  Out of Stone is also my second book that has a woman as the main protagonist. Halocline was the first. In fact, a character that we meet in Halocline is the lead in Out of Stone. Funny how things work out. Though related to the ‘anoxic zone’ series, Out of Stone is a stand alone novel. It is not necessary to read the previous novels to appreciate this one. But it does help and you will get a few more of the jokes and inside dish.

  When writing Out of Stone, it seemed, at the time, to be a lighter work. Less violence, drug use, coffee, and cigarettes does not mean less of a story. Oh, there is more than enough of the above to satisfy anyone, but I really tap into the darkness on this one and that’s when it gets freaky. In an attempt to lessen the rampant gore, I found pathways into the fiendish nature that lies within us all. When you see a little of yourself in the evil I have created, that means I have done my job. Having your mind blown is more frightening than having your head blown off.

  With the first edition of Out Of Stone available in paperback and all of the e-pubs, we at Black Water Books can take a breath, but only one because the work of writing and publishing is never-ending. With reviews coming in, we will be doing a second edition in the next few months, incorporating some comments into the cover and, having found a few errors in the first edition, re-editing the novel. It happens. No one is perfect and my readers deserve the best I can deliver.

  As this is being written, new reviews have popped up on Amazon.

www.amazon.com/Out-Stone-john-g-rees/product-reviews/0983192073/

Each touched on different aspects of the novel; all of them positive and a few so ‘spot on’ it is scary. These should help inspire you to pick up a copy and the story itself won’t let you put the book down. It is that good!

  Again thanks to everyone who helped to make Out of Stone a nightmarish reality.

  The only way to really understand what I’m saying is to read the book.

  Check it out at www.blackwaterbooks.com/Out_Of_Stone.html

Aloha, john g

 

 

 

THE FOURTH NOVEL: Into The Depths Of Hell

The initial edit completed as well as the follow-up rewrite for my new novel; working title –Tears of Stone –and is now being formatted to send to my editor and readers. Having sailed into uncharted waters with my first three books, anoxic zone, Halocline, and Black Tide, and setting new standards for gore and violence, the fourth could to be no less than a horrific ride into the gaping mouth of hell.

Tears of Stone(working title) revolves around a young character we meet in Halocline. Twenty years have passed since the revolution that created a free country. Freed from the yoke of Megacorp and a tyrannical, cruel and insane despot, the country grew and prospered. Slavery and slaughter during the revolution however left the country with nationwide epidemic of PTSD. Most dealt with it. A few unfortunately, did not. This opened the gates of hell once again. A metaphor, for they had actually never really been closed.

Our protagonist, against the odds, survived the barbarically horrendous revolution, at which she had a front row seat. What was witnessed in those early years hardened the tender areas of youth. The seeds of hatred fell upon the fertile soil of her mind, giving her strength to endure the madness.

In a twist of fate the girl is saved from the nightmare her young life had become, but not before her hatred had taken root. Her life on the run from the madness of the revolution was replaced with one of privilege, education and art. Through her art, the girl turned woman, and was able to relieve herself of some of the memories life had bequeathed her. Notoriety and fame would come from her ability to carve stone, touching her life, changing it forever.

As her talent blossomed so did the darkness that so early in life reached out for her. The hatred, anguish, and horror at seeing her family and community brutally tortured, slain, and placed in chains, wanted to live amongst men. This thing, this hatred, this evil would use the girl it bonded with so long ago to bring it to life.

The first few pages set the hook of the story. Then, until the end, we get deep into our characters’ heads to understand the nightmare their lives have become. More than one antagonist exerts pressure on the tale. Hatred, evil, greed, revenge, are my usual nemeses. Once again they rear their ugly heads to wreak havoc on mankind, being truly the sources of all that ails us. Our tale takes us on a ride into the macabre, literally. If you have read my previous works you know how wild things can get. And they do get a tad outré. Not to disappoint my readers, the action and intensity is up to par. My wife, Mara, after doing the initial read, aside from being grossed out, said that ‘this may be the best thing you’ve written.’ I’m good with that, because she is right. Though Tears Of Stone is a stand alone read, the story is related to anoxic zone, Halocline and Black Tide, therefore reading one of the previous will shed some light on a few of the inside jokes and characters. Hold on as I take you where few readers have gone before.

Aloha from john g rees, author of ‘anoxic zone’ and ‘Halocline’!

Welcome to my world. Those of you that have read my books catch the drift. Those that haven’t, you really should dip your eyes into the dark prose. Sometimes it gets a little too real, even for me. The stories don’t push the envelope, they more explode all over you. It get’s a little messy. The heavy-handed vulgarity, drug use, and impalings have a point. Okay, maybe I push it a little too far. But in order to rattle the reader in these days of gratuitous violence, sex and aliens, you sort of have to. And though the point may be buried deep inside someone, it’s there.

Always in the background of the first two novels is the corporation, in this case Megacorp. Greed drives its M.O. and there is no limit. This is far scarier to me than the Vlad that I have created, because it is happening now. The third book reveals among other things an evisceration of the corporate giant. Does it get killed? Good question. Answers are given that create more questions as we learn the background and makings of Jake and Johnny.

One of my readers says it ‘rocks’. I’ll take her word for it.

‘Black Tide’ is shooting for a late fall release and we at Black Water Books are pretty stoked about it.

http://www.blackwaterbooks.com

 

Aloha, john g