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OUT OF STONE: the New Novel

Having spread my soul wide open to the cutting edge of the editor, endured the ruthless attack on the manuscript, I have survived. A little shredded perhaps, humbled to be certain, yet more or less intact. My new editor, Martin Coffee, did an excellent job cleaning up some horrendous grammar (you want a real horror story you should see my uncorrected proofs – now that’s scary), kept the characters where they belong, righted my wrongs, and got most of the jokes. You can always tell whether someone is really reading your story or just correcting. Not put off by the vulgarity and some of the over the top graphic descriptions, Martin Coffee read it. He also liked the story, a lot!  So much so it has inspired him to read my previous works. ‘Right on, Martin!’

  Receiving your edited manuscript back comes with a frightening thrill. Incorporating the changes and editorial suggestions brings the work into its full dimension, cleans it up, and in general makes the novel ready for you to read. Editing is a milestone in the publishing process. It is the end of one phase and the beginning of another.

With this publication we are pursuing some of the tricks used by the big publishers. Advance copies of the novel have been sent to top horror reviewers in the country, Colleen Wanglund and Jeff Padget. These folk know good horror when they see it and they won’t let some palsy imitation sneak through. For me they are an acid test that could wind up in my face, because they tell it like it is. I hold confident. Their reviews will be part of our promotional package and be published in the book with their permission.

The story line holds, the action intense, character development full, and enough blood and mayhem to make one of my readers, R, miss some sleep. She can no longer read the story before bed. I like. R is vastly intelligent and highly critical and will have no qualms about giving me shock treatment if I have pulled any punches. R will also have her thoughts about the story published along with Colleen Wanglund and Jeff Padget.

Very soon the manuscript will be sent to Danil Mugaliev for final formatting into book form, for both hard copy and e-editions. We have worked with him on anoxic zone, Halocline, and Black Tide and look forward to his expertise and suggestions. It was his idea to use the syringes for chapter separation in anoxic zone. A very clever man.

Speaking of, we will also be using Mohamed Sadath for our cover design as well this time. His creativity on all three covers of the previous books has been outstanding. He’ll have his work cut out for him this time.

Front cover design, title, back cover, bio, publish, easy, right? Yeah, right. It’s a challenge and a half to get a professional looking product out there. As a self-publisher, you do all of these things yourself. Of course you have to farm out some of the work. You cannot edit yourself. That’s a given. Formatting and cover anyone can do, but if you want it great, get a pro. Your limitations are few, budget and imagination. Hell, I just wrote a book so the imagination is there. The budget is what it is. We do the best we can with what we have.

The working title of the new novel was Sechra, Tears of Stone. It works. It’s a great title. Unfortunately, Tears of Stone, has been used to death, literally, figuratively and any other way you can imagine. So it gets round filed. After due consideration and googling every stoned combination of words, the publication title will be ‘OUT OF STONE‘. The significance of the title will come clear when you are reading .

Black Water Books hopes to have hard copies and e-editions available in early 2013.

Not using any song lyrics this time should hasten the process a bit, haha. Sorry, it’s an inside joke but I’m sure some old British rocker might consider my comments (on using a couple of his song lines) slanderous.

We are very excited about getting, OUT OF STONE, on the way to being a published work.

If you haven’t read my previous works, get ready!

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About john g rees

John g rees is not your average horror writer. Not your average martyr either. After the death of his father and that of a close friend, john found the release he was loooking for and started writing. Born in the Midwest some half-century ago to two soon-to-be morticians, one can see where his ‘dead pan’ humor truly came from. Playing amongst the caskets and his catholic school upbringing underscore much of his work. He went through many types of employment. Moving west first to San Francisco, finally making his home in the Hawaiian Islands, john g rees has worked in many diverse, yet tangent fields: from the repair of Ferraris to the repair of underwater dock pilings; painting houses to painting ship zincs; general construction to general salvage diving on many sized ships - working out of Pearl Harbor for a while, on Navy vessels, some top secret. He has traveled the world looking for work and play in out of the way places. Never finding what he expects. He likes it that way. He has been happily married for 20 years.

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